To varnish or not to varnish, that is the question

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snazzie-designz's avatar
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I wonder is it just me or does everyone get to a moment in a project, be it painting, pyrography or any other form, where you reach a point where you think it's finished. You stop, step back, and then decide.. oh I'll just add this one tiny little bit, and suddenly the project is wrecked. You've gone that one step too far, and all of that hard work is down the drain!!

A similar thing happens when I finish a pyrograph, and once in a while, I'm actually happy with the way it turned out, but then I am faced with the decision on whether or not to varnish the piece. I have found that some pieces looked much better unvarnished, and that by varnishing them, they were ruined. On the other hand, there were some projects that I wasn't as happy with, but when I varnished them, they looked 100 times better!!

So for pyrographers out there, the question is: To varnish, or not to varnish?
Which leads to the ultimate question: How do you know when a piece is finished?

Any thoughts?

Please share :onfire:



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Wolf-Smith's avatar
Just noticed this journal on your page, and it's something that puzzles me as well, so I have to reply even though its over a year old :D

I've noticed that on paintings that are very dark or have a lot of contrast, glossy varnish doesn't work so well. Varnish itself is supposed to lift the color and make it look wet and deeper, so its best used on images that are flat and don't have a huge value range. The deeper the contrasts in the image, the harsher the light refraction seems to be, and the gloss can become unbearable. I think that a matte varnish works better on high contract images, and glossy varnish on light images.

Whatever the case, I have heard from an expert that varnish should be applied in small amounts, using the physical force of the brush to spread it as much as possible to cover the surface, rather then drenching the picture in it ( something I've done and ruined pictures as a result xD )